The 2011ER Cardioid Microphone, Active Rear Cable from DPA is designed for capturing audio and can be used in various environments, including theater, recording studios, broadcast TV, and similar applications. It features a cardioid directional pattern and a frequency range of 20 Hz to 20 kHz. The microphone contains an MMP-E active cable preamp, which splits amplification and phantom power duties. Additionally, the microphone offers a modular capsule with high-quality directivity control and radio frequency interference rejection.
The 2011ER capsule is also suitable for capturing instruments in sound reinforcement applications. The capsule’s twin diaphragm is designed to provide a fast impulse response and large frequency bandwidth, resulting in low inherent noise. The microphone’s modular design allows users to manually switch optional capsules for enhanced versatility and performance. The preamp terminates with a 12mm attachment at one end and an XLR connector at the other. The 2011ER features a compact appearance and includes a SM4000-C Suspension Mount.
▪ Two opposite facing miniature capsules are custom re-built into a double diaphragm, one-capsule composition
▪ Linear off-axis response in a small frequency bandwidth provides a high stage separation and gain-to-feedback with easy to control mic levels
▪ Blends clarity, richness, and dynamics
▪ Modular flexibility allows you to transform the basic 2011E microphone into a new configuration by combining it with another DPA microphone capsule or preamp
The 2011ES Cardioid Microphone, Active Side Cable from DPA is designed for capturing audio and can be used in various environments, including theater, recording studios, broadcast TV, and similar applications. It features a cardioid directional pattern and a frequency range of 20 Hz to 20 kHz. The microphone contains an MMP-E active cable preamp, which splits amplification and phantom power duties. Additionally, the microphone offers a modular capsule with high-quality directivity control and radio frequency interference rejection.
The 2011ES capsule is also suitable for capturing instruments in sound reinforcement applications. The capsule’s twin diaphragm is designed to provide a fast impulse response and large frequency bandwidth, resulting in low inherent noise. The microphone’s modular design allows users to manually switch optional capsules for enhanced versatility and performance. The preamp terminates with a 12mm attachment at one end and an XLR connector at the other. The 2011ES features a compact appearance and includes a SM4000-C Suspension Mount.
• Two opposite facing miniature capsules are custom re-built into a double diaphragm, one-capsule composition
• Linear off-axis response in a small frequency bandwidth provides a high stage separation and gain-to-feedback with easy to control mic levels
• Blends clarity, richness, and dynamics
• Modular flexibility allows you to transform the basic 2011E microphone into a new configuration by combining it with another DPA microphone capsule or preamp
| Model | Rear Cable, Side Cable |
|---|
Quick Shipping and Professional Packaging
We offer a broad range of shipping options owing to our long-standing partnerships with UPS, FedEx and DHL. Our warehouse staff is highly educated to pack your items precisely according to the specifications that we supply. Prior to shipping your items will be carefully inspected and secured. Each day, we ship to thousands of customers across different countries. This shows our commitment to be the largest online retailer in the world. The warehouses are located in Europe just as they are in USA.
Note: Orders that contain more than one item are assigned a specific processing period based on the individual item.
We will inspect each and every one of the items before sending. Today, the majority of orders will be delivered within 48 hours. The time to deliver varies from 3-7 days.
Returns
The inventory is always changing, and is not completely managed by us because of the involvement of many different parties, such as the factory and our warehouse. The levels of stock can change at any moment. Be aware that your order could run out of stocks after you place the order.
Our policy lasts thirty days. If it's been more than 30 days since you've made your purchase, we unfortunately can't give you a complete refund or exchange.
Your item should be in the original packaging and not be used. You must have the item in the original packaging.
Related products
MIDI Controllers
Beat Production
Audio Interfaces
MIDI Controllers
Beat Production
HEADPHONES
MIDI Controllers
Beat Production
Akai Professional MPC Live Standalone Sampler and Sequencer Akai
Beat Production
MIDI Controllers
MIDI Controllers
MIDI Controllers
Electronic Drums
Beat Production
Akai Professional MPC Studio Music Production Controller and MPC Software – Black Akai
MIDI Controllers
Akai Professional LPK25 Mini-key MIDI Controller – Wireless Akai
Electronic Drums
Akai Professional MPD232 Pad Controller with Step Sequencing Akai
MIDI Controllers
MIDI Controllers
Electronic Drums
Electronic Drums
Beat Production
Akai Professional MPC X Standalone Sampler and Sequencer Akai
Beat Production
Akai Professional MPC Renaissance Music Production Hardware Controller with MPC Software Akai
MIDI Controllers
Software & Plug-ins
Antares | Auto-Tune Hybrid Pitch Correction and Vocal Effects Plug-in Antares
MIDI Controllers
Beat Production
DAW Software
Electronic Drums
MIDI Controllers
MIDI Controllers