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DPA Clip for Bass | BC4099 DPA

Name: The more you purchase, the bigger discount you can enjoy DPA Clip for Bass | BC4099 DPA
SKU: us_8720513293
Price: 22 USD
Availability: InStock

Original price was: $ 37.Current price is: $ 22.

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SKU: us_8720513293 Category: Accessories Tags: Clamps & Brackets, DPA, Egypt, Mounts, Mounts & Accessories, Price Range_$25 to $50, Price Range_$300 to $500, Shop by brand_DPA, Shop by category_Mic Stands, Stands & Mounts

Description

Clip to connect a DPA 4099 Instrument Microphone to an acoustic upright bass. There are several excellent placement possibilities on the instrument.

The microphone and its mounting system are both designed and optimized for the double bass. This ensures that the best mounting and audio reinforcement is achieved when performing live. The mic attaches to the E- and G-string below the bridge. This ensures mic placement in the sweet spot between the bridge and fingerboard.

The versatile gooseneck provides stable and repeatable positioning. The mics can be easily unclipped and repositioned or moved to another instrument. The mounting system is designed to never blemish or scratch the finish of your instrument. The flexible design supports a wide variety of mounting and positioning possibilities.

Order numbers: BC4099, BC4099x.

Fits with these microphones

4099 Instrument Mic

The award-winning d:vote™ series, gives you a much more natural sound than any clip-on microphone or pickup. This condenser microphone rejects unwanted noise and accurately captures the true voice of your acoustic instrument.

How to mic a double bass

Guidelines for miking the double bass

This article will give you some guidelines on close miking a double bass (upright bass, acoustic bass or contra bass). It will discuss the best type of microphone for the job, suitable placement options and mounting tips.

Please remember, great sound is subjective and the miking methods described in this article are suggestions only. Try these methods out, but make sure to listen and choose the best solution for your specific situation.

Close miking an instrument is often considered to be a compromise to the instrument’s true acoustic sound. An instrument’s sound is usually designed to be experienced at a distance so that all the different elements of the sound are naturally blended into a perfect harmony. Yet often, mounting a microphone directly on the instrument is the most practical solution.

Finding and placing the microphone in the instrument’s sweet spot – or your preferred location, can be a challenge. Keeping it there can be even more challenging, especially if the instrument is moved. For this reason, close-miking requires a dependable mounting solution.

The instrument

The double bass’ lowest note is the E1, which is equivalent to 41Hz. To capture the low notes you need to choose a microphone that is capable of handling low frequencies. The overtones and the fine details of the double bass also require the microphone to handle high frequencies and have a high level of accuracy as well.

Double bass microphone positioning

The spot under the bridge, between the strings and the deck, is a good position to mount a microphone. This position represents most of the elements of the bass sound we want to capture – low end as well as ‘bite’ when the strings are plucked or bowed.

Types of double bass microphones

Omnidirectional (pressure) microphones have the great advantage of picking up sound evenly from all directions (although some “omnidirectional” microphones are slightly directional at the highest frequencies). Using an omnidirectional microphone is appropriate when you want to pick up the full sound of the instrument and you can maneuver it (using a gooseneck) a short distance away from the instrument.

There are many sound sources on the double bass. Due to its size there are several good spots to pick from. Using an omnidirectional microphone – like the 4006ES Omnidirectional Microphone or the 4061 Miniature Omnidirectional Microphone – allow you to pick any one place, close to or, by using a gooseneck, at a short distance from the instrument. Using an omnidirectional microphone ensures the sound will not lack low-frequency due to the proximity effect as when using directional microphones. Proximity effect is an increase in bass or low-frequency response when a sound source is close to a directional microphone.

Using a directional microphone like the 4099 Instrument Microphone or the 4011ES Cardioid Microphone has the advantage of being able to focus on the sound of the key instrument, isolating it from surrounding sound sources, such as other instruments onstage or the PA system. On the other hand, directional microphones suffer from the proximity effect and therefore require more adjustment to find the preferred position. Moving the microphone close to the instrument will increase the low-end response, which might be desirable.

Bear in mind that the double bass reacts as a huge reflective surface. The incoming sound from other sources (instruments, PA system) might reflect off it and enter the microphone from the front even if the microphone is pointing away from the source.

Tip: If the bass player prefers to stand close to the drummer, point the directional microphone away from the drum kit. This will minimize the bleed from the drum sound reflection off the bass.

how-to-mic-a-double-bass-with-dscreet-gm1600-dpa-microphones-l.jpg

Mounting the double bass microphone

All of the above-mentioned microphones can be placed either on a microphone stand or directly on the bass using the appropriate microphone mount.

A great close-miking mount is the BC4099 Clip for Bass, which is sturdy and made to stay in place in almost any position. It fits over or under the strings and can be adjusted to reach across two to four or even between two strings due to its flexible design. The clip works together with a number of our goosenecks allowing you to not only place the microphones according to your taste but also taking the application and the surrounding noise into consideration. The goosenecks are extremely flexible and can be slightly bent in order to position the microphone as needed.

Tip: If you prefer more volume from the Double Bass, positioning the mic closer to, or pointing at, the F-hole, is ideal. This can be done by bending the gooseneck horizontally toward the F-hole.

The BC4099 Clip for Bass works with the GSM4000 Gooseneck Shock Mount, the GM1600 Gooseneck Mount and the 4099 Instrument Microphone.

Quantity	1 Clip, 10 Clips

Prompt shipping and expert packing

Because of our long-standing partnership with UPS, FedEx, DHL and many other world-class carriers, we can provide an array of shipping options. Our warehouse staff is highly educated to pack your items precisely according to the specifications we offer. Before they are shipped, your goods will be thoroughly examined and secured. Everyday, we send to thousands of customers across different countries. This is a testament to our determination to become the largest online retailer worldwide. The warehouses and centers for distribution are situated in Europe, as well as the USA.

Note: Orders that contain more than one item are assigned a particular processing period dependent on the particular product.

We will carefully examine all items ordered before shipping. The majority of orders today are shipped in 48 hours. It is expected that delivery will take between 3 and seven days.

Returns

The inventory is constantly changing and we do not completely manage it because of the fact that multiple parties are involved, including our warehouse and factory. This means that the actual stock could fluctuate at any moment. Be aware that your order may become unfulfilled when you have placed the order.

Our policy lasts for a period of 30 days. We cannot replace or refund your purchase when it's been 30 days since the purchase.

To be eligible for a return your item must be in good condition and in the same condition that you received it in. You must have the item in its original packaging.